smuggler—————Detect film crew and cameras as an audience
“When their ghosts appears, then something pushes me into the woods, towards the … “gypsy sun”, the Ursa Major kingdom.” Sergiusz Piasecki
Far from any retrospective desire, Sota l’Ossa Major is a claim of the actual state of the artistic practice of Àngels Ribé, where this new co-production and unedited work of EtxART, coexist with more recent Àngels works.
Clouds, Bubbles & Waves_2019.
Clouds, Bubbles & Waves is both a film and a performance that, with just film crew and cameras as an audience, took place on 15 April 2019.
Once more, the duality between nature of film and sculpture of audience enters into play through experience in real time.
The exhibition takes from a starting point the autobiography The Lover of the Older Bear Girlfrom, from the Polish writer Sergiusz Piasecki, to address an emotional connection with nature, one of the main focus research of the artist.
Date and hours
14 November 2019 — 31 June 2020
” Such creatures fawning, violent, lethargic, illusive. Rush about or wander lost, simply and even in packs.” (Victor Willing.)” L’attention est captivée en apercevant les anneaux par qui se touchent tant d’hommes inconnus les uns aux autres. ” (Chateaubriand.)
Text unsimilarity – Geometry by itself.
The most common counting process is leading to the distant measurement in human geometry, stripped of their name, a text, a single data lost text.
The auto Geometry features are particularly useful – one tap and Interliving bitmap guesses what should be straight… and usually gets it spot on.
The exhibition conceived exclusively for H2O Gallery, reveals the artist interest in human track geometry and perceptive interlaced experiences about 2088 Digivanished “jouhatsu” ( evaporated people) of Japanese census, which he explores in three new sets of work: Kakemono (2018), three large scale photographs, Interlaced (2018), three cardboards evoking flat screen realities, and lastly, an experimental movie, EyeCom_11 (2018).
Postconsumer packs transportation., also questions reality pics, both visible and digivanished. Pics that remains only one among the many possibilities of a non-static condition of binary maps.
In Japan, around the “yoseba”, human geometry is incredibly particular.
Imagine a Square, that is monitored by CCTV cameras, and we use its upper side as a base of an inverted equilateral triangle, the vertex of said triangle is a cup of rice in the other side of the square.
2088 digivanished generate a silent choreography with required dignity from its base to the vertex, to return to the base, and so on.
digivanished body-art monitored by digicams
Catalog – Carlos Pazos
Maestro Dirk Paesmans, show us a special type of gold redirected solar radiation on the surface of his smart-card at
Turning it into an
a trail of anthropological xml file in the Big Network.
P.S.- The full content of the game is available completely free,
this post will be your first look inside xml files. Lot’s more to come.
In some pics, the secrets run so deep.
The cutting edge for presenting an interference.Here is the genuine Flávio Pons in his studio, you can see the original ‘flush’ hole for the bitcoin.
IF you haven’t got the private joke yet… The concept of denial, the role of, a lower ‘compartment’ called back again when desired. Flávio Pons argues convincingly: “One does not become enlightened by imagining figures of light, but by making the darkness conscious.” ― C.G. Jung
Photographic series produced together with the artist Flávio Pons.
Pop remake produced together with the artist Vera Chaves Barcellos.Flávio Pons
Credit: Carlost PaZoss
The first footprints put on the “Out of Limbo” will probably be there a long, long time — maybe almost as long as the “Out of Limbo” itself lasts.