H2O_Gallery

” Such creatures fawning, violent, lethargic, illusive. Rush about or wander lost, simply and even in packs.” (Victor Willing.) ” L’attention est captivée en apercevant les anneaux par qui se touchent tant d’hommes inconnus les uns aux autres. ”  (Chateaubriand.)

Text unsimilarity – Geometry by itself.

The most common counting process is leading to the distant measurement in human geometry, stripped of their name, a text, a single data lost text.

The auto geometry features are particularly useful – one tap and Interliving bitmap guesses what should be straight… and usually gets it spot on.

The exhibition conceived exclusively for H2O Gallery, reveals the artist interest in human track geometry and perceptive interlaced experiences about 2088 Digivanished ( “jouhatsu”- evaporated people of Japanese census), which he explores in new sets of work:

Kakemono (2018- three large scale photographs), Interlaced (2018- three cardboards evoking flat screen realities), EyeCom_11 (2018- experimental movie), and lastly JTTS (2018-japanese text-to-speech ) 5.1 system audio installation.

Postconsumer packs transportation., also questions pics, both visible and digivanished. Pics that remains only one among the many possibilities of a non-static condition of binary maps.

In Japan, around the “yoseba”, human geometry is incredibly particular. 
Imagine a Square, that is monitored by CCTV cameras, and we use its upper side as a base of an inverted equilateral triangle, the vertex of said triangle is a cup of rice in the other side of the square. 

2088 digivanished generate a silent choreography with required dignity from its base to the vertex, to return to the base, and so on.

ya•da-ya•da-ya•da

digivanished body-art monitored by digicams