“When their ghosts appears, then something pushes me into the woods, towards the … “gypsy sun”, the Ursa Major kingdom.” Sergiusz Piasecki

Far from any retrospective desire, Sota l’Ossa Major is a claim of the actual state of the artistic practice of Àngels Ribé, where this new co-production and unedited work of EtxART, coexist with more recent Àngels works.

The exhibition takes from a starting point the autobiography The Lover of the Older Bear Girlfrom, from the Polish writer Sergiusz Piasecki, to address an emotional connection with nature, one of the main focus research of the artist. With a flexible path, the exhibition takes us close to the work philosophy of Àngels Ribé and invites us to rethink our relation with the natural environment.


Centre d’art Tecla Sala

Date and hours

14 November 2019 — 31 June 2020



” Such creatures fawning, violent, lethargic, illusive. Rush about or wander lost, simply and even in packs.”

(Victor Willing.)  

” L’attention est captivée en apercevant les anneaux par qui se touchent tant d’hommes inconnus les uns aux autres. ”  


Text unsimilarity – Geometry by itself.

The most common counting process is leading to the distant measurement in human geometry, stripped of their name, a text, a single data lost text.


Maestro Dirk Paesmans, show us a special type of gold redirected solar radiation on the surface of his smart-card at

Turning it into an image,

Oops !!!
a trail of anthropological xml file in the Big Network.

P.S.- The full content of the game is available completely free,
this post will be your first look inside xml files. Lot’s more to come.


The cutting edge for presenting an interference.Here is the genuine Flávio Pons in his studio, you can see the original ‘flush’ hole for the bitcoin.

IF you haven’t got the private joke yet… The concept of denial, the role of, a lower ‘compartment’ called back again when desired. Flávio Pons argues convincingly: “One does not become enlightened by imagining figures of light, but by making the darkness conscious.” ― C.G. Jung

Cláudio Goulart, ‘Gladiators of the Future’, 1980, GALERÍA JOSÉ DE LA MANO

Photographic series produced together with the artist Flávio Pons.

Flávio PonsPop remake produced together with the artist Vera Chaves Barcellos.



EtxA.R.T. photographed this iconic photo, a view of his footprint in the “Out of Limbo” soil, as part of an experiment to study the nature of “Out of Limbo” dust and the effects of pressure on the surface during the historic last manned “Art Santa Mònica” landing in March 15, 2018 19:19pm ET

Credit: Carlost PaZoss

The first footprints put on the “Out of Limbo” will probably be there a long, long time — maybe almost as long as the “Out of Limbo” itself lasts.